My graduate thesis game, Brinkmanship, was published on Steam last year.

I set up the game’s Wwise project and integrated it with Unity, teaching a 4 person sound team how to use the middleware and push their own changes.

Brinkmanship features 8 fully voice-acted characters and over 1,000 lines of branching dialogue.

I did a majority of the gameplay scripting, all in C#, implementing all the SFX, VO, and music.

My most recent Unreal 5 game, Radio Exurbia is a driving exploration game where players can swap at any time between two separate levels.

I implemented all audio using Wwise and Rev2, with a license for the latter software provided for free by Crankcase Audio.

I also collaborated closely with composers from Berklee College of Music for the game’s original soundtrack.

I had a lot of fun with the sound design for Canyons.

It’s got:

• Deeply layered audio for the player’s ship that allows it to change as you upgrade it

• Day/night sound-cycle

  • Smoothly crossfading ambient tracks at sundown and sunrise for the over-world and in town

  • A variety of stingers (coyotes, wind gusts, etc) specific to the time of day

• Unique voices for each character

• Full suite of SFX for each UI interaction

• Dynamic music

• And lots of gameplay-related SFX throughout!

Right here is a short audio drama I made in the Fall of 2021, for which I also recorded all the voices…for better and for worse.

A few years ago I also hosted and produced 22 episodes of a podcast called Make Play where I interviewed indie developers about what they were making and playing, you can check that out here!